Tammy Faye reminded us how to die.

How Focus on the Family, Prison Fellowship, and others have—and haven't—changed their views about the books over the years.

The church seems to be an embarrassment to everyone except its Lord.

Michael Landon Jr. on making movies for Christians.

How the preacher responded to pop culture's version of transcendence.

Russian director Andrei Tarkovsky opposed any intellectual interpretation of his films, but they were rife with spiritual imagery and signs of his faith.

The magic world of Harry Potter begins yielding to a 'deeper magic.' A review of 'Harry Potter and the Deathly Hallows'

His hope for Iraq is "more of a theological perspective," he says.

On pilgrimage to Ireland's first Christian sites.

Several recent films take a life-affirming view of unwanted pregnancies, as babies are carried to term and abortion is dismissed as an option. Could this be a trend?

Pioneer Brian Doerksen on what's wrong with worship music.

Ministering across the wealth divide means giving up our savior complex.

Plus: A Ghanaian pastor's shocking magic trick, Time on Democrats' religious outreach, what to watch next in the Holsinger debate, and other stories from online sources around the world.

The glory of men and women lies in their unbridgeable differences.

As we said in 2000, the Vatican's statement on the nature of the church is a step forward, not backward, for Christian unity.

'Harry Potter and the Order of the Phoenix' is a dark, grim, serious film, with little of the joy or whimsy that animated the first four movies.

Why are we so embarrassed that Columbus ever set foot in the New World?

The myths that are intimidating those who hold forth a biblical heritage, and what can be done about them.

Heroes have disappeared. They have been replaced by superheroes-fantasy creatures.

Scholar and writer was key in mobilizing pro-life movement among evangelicals.

Why you shouldn't be surprised that her new album is mostly passages from the Old Testament.

Or something. And God is in all of us, and he doesn't judge. Such is the wobbly theology of Sinead O'Connor, whose new album is being pitched to the Christian market.